Dear Reader,
Look forward to posts this week on an artist named Joe Meek and an intervention for Devendra Banhart.
Everyone and their grandmother publishes a top songs of the year list, so why not Cranberry Juice? We’re hip and with it, we know the jive and all that, and hell, I probably could write a better list drunk than all the editors of Pitchfork combined. If you want to gaze at their astonishingly mercurial list, click here. Then stop reading and come back and watch me destroy them. Seriously though, where the fuck is “Finer Feelings” by Spoon. I’ll tell you where…
Coming in at number ten, after my embarrassingly stupid transition is:
10. “Finer Feelings” by Spoon (Ga Ga Ga Ga Ga)
We’ve all heard me go on and on about Spoon’s little career defining masterpiece Ga Ga Ga Ga Ga earlier on my top ten album list, but now you gotta hear me talk about this one. Finer Feelings, the longest track on the album is a perfect mix of the old Spoon songwriting and simple melodic structured mixed in with the best rhythm section in rock to create an orgy of sound. What an expressive metaphor!
Spoon – Finer Feelings
9. “Veni, Vidi, Vinci” by Black Lips (Good Bad Not Evil)
Somehow, the Black Lips managed to make an innovative and really wonderful record this year without most people noticing and without it garnering the press its due. Black Lips channel the avant-garde garage rock of 13th Floor Elevators and mix it with the raw and brooding power of Iggy Pop. It’s a shame to see an interesting band get written off, and this track exemplifies the thoroughly excellent nature of the album.
Black Lips – Veni, Vidi, Vinci
8. “Myriad Harbour” by The New Pornographers (Challengers)
Though one could argue as to the degree of success that A.C. Newman’s shift in this record achieves, there is one thing constant in this group: the endless and boundless genius of Dan Bejar, the mastermind behind Destroyer and part time member of Swan Lake (with Carey Mercer of Frog Eyes and Spencer Krug of Wolf Parade and Sunset Rubdown). “Myriad Harbour” a snarky little number about the band’s visit to my hometown, New York City, heaves between colossal choruses and laid back verses, always with the strong accompaniment of Bejar’s strangely endearing voice.
The New Pornographers – Myriad Harbour
7. “Knife (Choir Version)” – Grizzly Bear (Friend EP)
Another Grizzly Bear song you say? You’d think I’d had enough, I was still stirring in the juices Yellow House and their unreleased album Sorry for the Delay, when Grizzly Bear drops this sonic orchestral masterpiece on us. With accompaniment from their many fans, Grizzly Bear maintains its strong course and reassures everyone that dream pop, in a way, is badass.
Grizzly Bear – Knife (Choir)
6. “Cheer It On” – Tokyo Police Club (Lesson In Crime EP)
Tokyo Police Club may be unproven and a mere reincarnation of the Pixies dressed as the Strokes with canadian accents but fuck me if they don’t know how to make a good pop song. Cheer It On is an amazingly short song, and one is pretty much forced to listen to it again and again to absorb more of its gooey canadian goodness. Definitely looking forward to Tokyo Police Club’s first release with Saddle Creek, expected next year.
Tokyo Police Club – Cheer It On
5. “Welfare Bread” – King Khan & The Shrines (What Is!?)

This one snuck up on me, but as Aladdin as taught us, we must seek the diamonds in the rough, animated monkey sidekick or no. This delectable ditty is a garage rock masterpiece and if the White Stripes shit out another album as lazily as they did the last one, sign me up for replacing King Khan & The Shrines as the head of that movement. Seriously though, listen to the song, it’s awesome.
King Khan & The Shrines – Welfare Bread
4 . “Bros” – Panda Bear (Person Pitch)

Panda Bear’s solo album taught us a lot about Animal Collective (as solo albums often do), showing us the guy who was mixing the Beach Boys sounds into Animal Collective’s glorious stew of near perfect influences. “Bros,” the best track of his solo album is a long song, but it doesn’t matter because there’s no way in hell I turn it off when it comes on. It starts with a hoot, and I do say, my heart grew three sizes when I first heard it.
Panda Bear – Bros
3. “You! Me! Dancing!” – Los Campesinos (Sticking Fingers Into Sockets EP)

This best thing out of Wales this decade is certainly good and nothing encapsulates this band quite like the word twee. Their oddly smart lyrics and incessantly catchy tunes remind me of a young Belle & Sebastian and they are a band with enormous potential, hopefully they won’t muck it up.
Los Campesinos – You! Me! Dancing!
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2. “For Reverend Green” – Animal Collective (Strawberry Jam)

If Strawberry Jam cemented the status of Animal Collective as the best band of this era, then for Reverend Green is their God Only Knows. Picking from this album is like picking from a variety of delicious sandwiches, each for a different mood. But For Reverend Green is like the peanut butter of sandwiches in that it is always reliable and bursting with flavor, so that the first time you eat it, it is just as good as the first time. My love for peanut butter and For Reverend Green are uncharted.
Animal Collective – For Reverend Green
1. “Elephant Gun” – Beirut (Lon Gisland EP)

Long Island is a horrible place and that is a horrible name for the record, but it’s okay, because it’s not like Elephant Gun isn’t the best song of the year. Wait it is. It was a battle, it really was, but this track shines through, as it is like water to me, I need it to survive. Hyperbole aside, Elephant Gun’s perfect orchestration and Zach Condon’s voice make this song legendary.
Beirut – Elephant Gun
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Parting is such sweet sorrow.